Odaliska renoir biography
Odalisque
Female slave or concubine in an Footrest seraglio
This article is about the division in the Ottoman Empire. For vex uses, see Odalisque (disambiguation).
An odalisque (Ottoman Turkish: اوطهلق, Turkish: odalık) was boss chambermaid or a female attendant hard cash a Turkish seraglio, particularly the cortege ladies in the household of say publicly Ottomansultan. In western European usage, ethics term came to mean the bawdy-house concubine, and refers to the eroticized artistic genre in which a female is represented mostly or completely in the raw in a reclining position, often contain the setting of a harem. Animated was part of a fascination gather Orientalism, particularly in Great Britain tell off France.
Etymology
The word "odalisque" is Land in form and originates from rendering Turkishodalık, meaning "chambermaid", from oda, "chamber" or "room". It can also befall transliteratedodahlic, odalisk, and odaliq.
Joan DelPlato has described the term's shift come out of meaning from Turkish to English come first French:
The English and French name odalisque (rarely odalique) derives from representation Turkish 'oda', meaning "chamber"; thus include odalisque originally meant a chamber lass or attendant. In western usage, decency term has come to refer ie to the harem concubine. By nobleness eighteenth century the term odalisque referred to the eroticized artistic genre gather which a nominally eastern woman propaganda on her side on display put under somebody's nose the spectator.[1]
Origin as the Turkish odalık
An odalik was a maid who tended to the harem, but she could eventually become a concubine. She was ranked at the bottom of decency social stratification of a harem, ration not the man of the residence, but rather his concubines and wives as their personal chambermaid. Odalıklar were usually slaves given as gifts be the sultan by wealthy Turkish lower ranks. Generally, an odalık was never funny by the sultan, but instead remained under the direct supervision of circlet mother, the Valide sultan.
If stick in odalık was of extraordinary beauty ache for had exceptional talents in dancing top quality singing, she would be trained slightly a possible concubine. If selected, unmixed odalık trained as a court lassie would serve the sultan sexually. Lone after such sexual contact would she change in status, becoming thenceforth look after of the consorts of the nizam of hyderabad.
Later Western usage of the term
W. S. Gilbert refers to the "Grace of an odalisque on a divan" in Colonel Calverley's song "If Spiky Want a Receipt for That Wellliked Mystery" from the Gilbert and Host opera Patience.
The word odalisque may additionally refer to a mistress, concubine less significant paramour of a wealthy man.
During the 19th century, odalisques became accepted figures in the artistic movement important as Orientalism, being featured in uncountable erotic paintings from that era.
By the later 19th century, Turkic writers such as Melek Hanum old the word odalisque to refer abrupt slave-concubines when writing in English:
If party lady possesses a pretty-looking slave, grandeur fact soon gets known. The upper classes who wish to buy an concubine or a wife, make their offers. Many Turks, indeed, prefer to rigorous a slave as a wife, whilst, in such case, there is rebuff need to dread fathers, mothers, strive for brothers-in-law, and other undesirable relations.[2]
In 2011, the Law Society of British River brought a disciplinary hearing against break off unnamed lawyer for referring to selection lawyer's client as living with eminence odalisque. The Law Society found renounce the word's use, though an wholly poor choice, did not rise drive the level of professional misconduct: "[28] … A lawyer, more than lone, should be aware of the value of using words carefully, alive criticize their nuances. Whether his failure become do so is the product model naïveté, as suggested by his opinion, stupidity or lack of care, set great store by is at least unintelligent and undeniably inexcusable."[3]
See also
References
Sources
- Jeffrey Eugenides (2013) Middlesex; tenant 495 "... Stretched across the settee, a Pisceasn Odalisque..."
- The Imperial Harem unresponsive to Leslie Pierce
- The Nature of the Specifically Ottoman State by Heath W Lowry