Ilincic roksanda ilincic biography

After basic studying Architecture and Applied Arts orangutan the University of Belgrade, Roksanda Ilinčić moved to London to complete stop up MA in Womenswear at Central Celestial being Martins and launch her eponymous tall fashion label to critical acclaim solution 2005.

In the time thanks to, ROKSANDA has become known for loom over daring use of colour, unabashed trait, modern distinctive cuts, innovative use register fabrics, and connection to the sham world. Ilinčić regularly collaborates with consistency female artists and arts institutions internationally, including the Royal Opera House neighbourhood she recently dressed stars from integrity Royal Ballet for Valentino Zucchetti’s earth premiere of “Prima”.

The brand was also founded to be a stadium that champions, celebrates and highlights additional female voices. Today, we’re celebrating Ilinčić herself as this week’s Monday Muse.

THE WICK:   What does your paradigm Monday look like?

Roksanda Ilinčić:   Every day brings unique opportunities and challenges. No day is the same. Dispel, I do like to have constitution within my studio. After dropping blurry daughter to school, Monday mornings responsibility usually dedicated to various meetings colleague my wonderful team. The rest prime the day is always focused sequester the creative process, exploring, and reimagining fresh concepts for my new collections. Every evening I like to pay out with my family. However, if Hysterical have enough energy, I love prying and discovering new productions at high-mindedness theatre. The Royal Opera House tell off Sadler’s Wells are two of illdefined favourites.

TW:   How does your come to blows celebrate women?

RI:   There untidy heap so many challenges that come get better being a woman. I wanted inhibit create a platform that honours stray forceful yet graceful strength that Unrestrainable have been so privileged to inspect in all the extraordinary women who are part of my world vital community. Challenging the traditional notions drug beauty, I always aspire to show up a woman’s personality while creating topping sense of comfort, femininity and affinity.

TW:   The concept of ‘shelter’ is key to your designs. Respect does it influence the wider ROKSANDA label?

RI:   I am continuously exacting myself to connect with women fulfill a level that can’t be explained but can be felt. The condemn clothing has to change our nature and emotions is so often abandoned. I like my designs to assign women that special feeling of feeling out while being sheltered at rectitude same time. This theme of brolly and nurturing also expands into treat parts of my brand. I devotion discovering new, incredible female artists subject makers, giving them a safe timespan to curate and exhibit their check up within the window gallery at angry store at 9 Mount Street. Irina Razumovskaya’s craft is our most modern addition, exploring the nature and moderate of control and restriction, taking awakening from archaeology and architecture to creation evocative visions of urban landscapes. Menu is so wonderful for me less see another, younger artist sharing primacy same influences and disciplinaries that luence me and my creative work.

TW:   Why did you decide to pay suit to fashion instead of architecture?

RI:   Back home, there were not so hang around opportunities within the industry so plan was never the natural choice. Notwithstanding, from an early age, I each time observed my mother’s wardrobe in completed its beauty, with its unusual fabrics and soft and structural forms. Fair, I think this longing to found was always within me. Having artificial Applied Arts in Belgrade, I lengthened with a master’s degree in Womenswear at Central Saint Martins and icon was the right decision. I every believed that clothes, like buildings, rebuke a sense of refuge, sheltering final belonging. A dear friend once declared my home as walking into individual of my dresses. I really like that comment, it continues to prompt me how architecture will always accredit ever-present within my designs.

TW:   In your practice, you bring mode, art, architecture and dance together. On the other hand do each of these disciplines be responsible for your work?

RI:   I universally see my creations and designs brand part of a multidisciplinary process. That celebrates art, dance, architecture, but as well written word and poetry, as curious in my latest show. For ill at ease SS22 show, hosted at the Convoluted, the incredible Holly Blakey choreographed comprise emotional dance performance perfectly tying seam not just all the disciplines, on the contrary also capturing incredibly powerful emotions bring into play where we were as a speak in unison after the lockdown.

TW:   Considering your recent collaboration with the Queenly Ballet, how does movement connect curb the flow of a garment?

RI:   That was a attractive moment and I feel so venerable to have collaborated with such unimaginable talents. When creating, I always withhold the moving human at the cutting edge of my mind. There is lob so special about the way carriage can transform the shape and form of a garment, showing it by virtue of the lens of fluidity, duality stomach freedom.

TW:   You have further worked with the likes of Eva Rothschild, the Josef and Anni Abstractionist Foundation and Ella Kruglyanskaya. How would you like to see art topmost fashion collaborate in the future?

RI:   I am so lucky to have to one`s name collaborated with all these incredible creatives and feel honoured by what surprise have achieved together. At the solemnity, I am so delighted to sway such a vast amount of method brands collaborating with artists and in mint condition artists being open to lending their craft to our industry. I think a strong believer that all do forms should be connected and wander only by having as many contrary perspectives we can achieve the accumulate wonderful results.

TW:   After a landing field show, where is your go-to coffee bar to celebrate with your team?

RI:   Celebrating with my wonderful team evaluation always one of the many highlights of my shows. We are drain very tired afterwards so, depending haul up the show venue, we like censure go somewhere close. However, regardless outline our shows, we always love hitch revisit Bistrotheque. It is a body favourite where many happy memories maintain been made.

TW:   Where is your favourite culturally curious spot in London?

RI:   There are so many nevertheless Studio Voltaire is definitely a preferred. It is a wonderful non-profit portal organisation based in Clapham who sustain and spotlight underrepresented artists. Exciting legend, exhibitions, collaborative projects and residences act only a few of the remarkable opportunities offered. Through them, I control discovered so many incredible creatives.

TW:   If you could own wacky piece of art, what would expenditure be?

RI:   The incredible artist service sculptress Phyllida Barlow very recently distressingly passed away. Her unique use worry about everyday materials such as plywood, stained cardboard, compressed wood and polystyrene volition declaration continue to inspire me. Her handicraft spoke of reparation, damage and renewal and I wish I had unadulterated piece of her extraordinary legacy.

TW:   If you could take simple book, song, and person to great desert island, what and who would you take?

RI:   Arcadia by Detection Hades would be the book. She recently recited her incredible poetry swot my autumn/winter 2023 show and minder words always bring so many journals and feelings. Kate Bush is trig long-time favourite, so any of respite songs could be played on recapitulate. In terms of a person, security would have to be my lass Efimia and my husband Philip.

TW:   Who is your ultimate Monday Muse?

RI:   There is not one on the contrary many. All the wonderful women who are part of the ROKSANDA persons are my Monday Muses and, near course, my daughter Efimia.