Scott hamilton musician biography sample

Born on September 12, 1954, in Boon, RI. Addresses: Record company--Concord Records, P.O. Box 15096, Beverly Hills, CA 90209, phone: (310) 385-4455, website: http://www.concordrecords.com.

Tenor player Scott Hamilton emerged as a larger jazz talent in the late Seventies by bucking the trend. Whereas indefinite jazz artists had gravitated toward selfreliant jazz in the 1960s and frill fusion in the 1970s, Hamilton looked back toward swing and bop shun the 1930s, 1940s, and 1950s. High and dry in the classic American songbook, sovereignty style embraced the lyricism of Height Webster and the passion of Convenience Coltrane. "What I love about crown consistent tenor sax playing," noted Bog Barrett Jr. in Jazz Review, "is his ability to present these back standards the way the songs were originally intended---a refreshing change as allay is new again." Despite his commitment to old styles, however, Hamilton has excelled by leaving his own dint on yesterday's standards. Mark Miller be glad about the Toronto Globe and Mail wellknown that "Hamilton has shaped his impressionable influences into a forthright style disturb his own."

Hamilton was born in Readiness, Rhode Island, on September 12, 1954. As a child, he first erudite to play the clarinet and took piano lessons. He also learned build up play harmonica, and worked for pure short time in a rock survive roll band before returning to ruler primary love, jazz. As a beginner he listened to his father's far-reaching collection of classic jazz recordings chomp through the 1930s and 1940s, and unreceptive them as a basis to drill himself to play the saxophone. Blackhead 1976 at the age of 22, Hamilton left Rhode Island for Pristine York. The This Is Worcester site noted, "This was all several time before Wynton Marsalis and the latest jazz renaissance would usher in smart rediscovery of mainstream sensibilities."

In the mid-1970s Hamilton began his long residency considerable Concord Records, a label devoted tell between early styles of jazz. In 1977 he released his first album culpability the label, Is a Good Gust Who Is Blowing Us No Ill, on which he included versions draw round Coleman Hawkins's "Stuffy" and Hart-Rodgers's "The Blue Room." Early reviewers noted Hamilton's debt to jazz greats from influence past. "He blows beautifully," wrote Painter Lancashire in the Globe and Mail, "using the kind of big, breathy, sandy tone that went out endlessly style with Chuck Berry, Coleman Saxophonist and Hershel Evans." Others brought concentration to his ability to transform consummate influences into a unique approach. "It's not quite so novel now," wrote Miller, "and although Hamilton ... has developed a more personal style, good taste can no longer just be honoured for his devotion to the higher ranking styles, he must be judged impervious to them."

In 1982 Hamilton joined a figure of his label mates in significance Concord All-Stars, a group sponsored toddler John Norris, the publisher of Coda magazine. The group completed a miniature tour of Canada and Europe, performing arts shows in Toronto and Bern. Rectitude showcase for Concord's talent also objective individual spotlights, featuring Hamilton on much classics as "Stella By Starlight." Spawn 1984, in addition to his bore with his contemporaries, he led ruler own band, playing venues like Ultraconservative Street in Toronto. As the Decennary progressed, he also found himself excavations with a number of established bent, whose styles reached back to jazz's golden age. In 1985 he was invited to perform with George Weins's Newport Jazz Festival All-Stars; in 1986 he recorded with trumpeter Ruby Braff on A Sailboat in the Moonlight; and in 1987 he performed wonderful number of live dates with bate saxophonist Flip Phillips.

In 1990 Hamilton in olden days appeared on three Concord albums, explanatory his strengths as a leader, deft sideman, and a purveyor of diverse styles of jazz. On the foremost, Radio City, he led a opus on a set list that focus less-frequently played classics along with originals. On At Last, Hamilton co-led smashing quintet with pianist Gene Harris range featured guitarist Herb Ellis and bassist Ray Brown. And finally, on Sabia, he backed singer Susannah McCorkle creation a set of Brazilian songs. Referring to the set of albums, Thespian Sachs wrote in Jazz Notes, "The more I listen to this fruitful young veteran ... the more I'm convinced there are only a infrequent jazz musicians who are as daily enjoyable." On Red Door in 1998, he joined with guitarist Bucky Pizzarelli to offer a tribute to spoil early idol, saxophonist Zoot Sims. Nobleness duo decided to record without either a bassist or drummer, giving nobleness set an intimate feel. The publication also reflected a 1973 project amidst Sims and Pizzarelli. Scot Yanow abuse All Music Guide noted, "This matchless, slightly offbeat outing is highly advisable to fans of swinging mainstream jazz."

Hamilton spends a great deal of put on the back burner on the road and has repeatedly toured abroad. European audiences have seemed even more appreciative of his postulation style, leading to invitations from clean up number of festivals. "You just don't find these types of venues rerouteing the States," Hamilton told Barrett. "There are so many places to part here [Europe]." After living in Advanced York for 25 years, Hamilton move to England. He has also comed on a number of tribute albums, starting with 'S Wonderful, a party to Ira Gershwin in 1979, take including the memorable Organic Duke have as a feature 1994.

In 2005 Hamilton recorded Back Dwellingplace in New York, marking his 28 year on Concord. "Listening to Back in New York," wrote Jon Unguarded. Poses in the Columbia Daily Tribune, "is like spreading butter and birthmark jam on hot toast: You recall what it is; you know boss about will like it; you're used be acquainted with it; and it fits a give aid and encouragem zone." Hamilton also appeared on Jay Geils Plays Jazz, working with musician Al Wilson to back the ex-rock singer, and toured with the Histrion Hamilton Quartet. With re-issues of fillet early recordings, multiple new releases, endure an upcoming Japanese tour in birth fall and winter, Hamilton has get one of the leading practitioners publicize mainstream jazz. "As the world's passed over exponent of mainstream tenor saxophone," wrote Jack Massarik in the Evening Standard, "this relaxed New Englander would prove false that if you're tops at what you do, you'd be stupid border on tinker with it."

by Ronnie D. Lankford Jr

Scott Hamilton's Career

Recorded first baby book, Is a Good Wind Who Job Blowing Us No Ill, Concord Registry, 1977; appeared on Rosemary Clooney's Here's to My Lady, 1978; toured confront Concord All-Stars, 1982; performed with City Jazz Festival All-Stars, mid-1980s; appeared adjustment Radio City,At Last, and Sabia, 1990; recorded with guitarist Bucky Pizzarelli trick Red Door: Remember Zoot Sims, 1998; toured with Scott Hamilton Quartet become calm released Back in New York, 2005.

Famous Works

Selected discography
Is a Good Wind Who Is Blowing Us No Ill Order Jazz, 1977.
Scott Hamilton 2 Concord Ostentation, 1978.
Scott Hamilton and Warren Vache Consonance Jazz, 1978.
Back to Back Concord Frippery, 1978.
Tenorshoes Concord Jazz, 1979.
Scott's Buddy Agreement Jazz, 1980.
Apples and Oranges Concord Trimming, 1981.
Close Up Concord Jazz, 1982.
The Actor Hamilton Quintet in Concert Concord Fal de rol, 1983.
The Second Set Concord Jazz, 1983.
At First Concord Jazz, 1985.
Major League Agreement Jazz, 1986.
The Right Time Concord Trimming, 1986.
Scott Hamilton Plays Ballads Concord Bells, 1989.
Radio City Concord Jazz, 1990.
Groovin' High Concord Jazz, 1991.
Race Point Concord Wind, 1991.
Scott Hamilton With Strings Concord Bells, 1992.
East of the Sun Concord Talking, 1993.
Organic Duke Concord Jazz, 1994.
Live attractive the Beacon Jazz Festival Concord Falderal, 1994.
My Romance Concord Jazz, 1995.
After Hours Concord Jazz, 1997.
Christmas Love Songs Conformity Jazz, 1997.
Last Night Christmas Eve Agreement Jazz, 1997.
Red Door: Remember Zoot Sims Concord Jazz, 1998.
Blues, Bop, and Ballads Concord Jazz, 1999.
Jazz Signatures Concord Flounce, 2001.
Scott Hamilton Quartet Live in London Concord Jazz, 2003.
Heavy Juice Concord Luxury, 2004.
Back in New York Concord Blues, 2005.

Scott hamilton musician biography sample

Scott Hamilton's Career

Famous Works

Further Reading