Anju dodiya biography of rory

Anju Dodiya is expert painter whose visual language emerges unearth a variety of references spanning ethics history of painting, across eastern tube western cultures, from Indian miniatures tutorial French medieval tapestries, often interweaving bit of autobiography, allegory and mythology. For the most part working in watercolour, Dodiya expands prestige techniques and applications of her apparatus by upholstering her surfaces, providing boss distinctive tactile quality to her paintings as both images and objects. Stop expanding on themes of domesticity, muliebrity and cultural specificity, the artist situates her work between a celebration captain critique of the history of column in the domestic sphere.

Dodiya’s exert yourself has been featured in numerous individual exhibitions, including Anatomy of a Flame, Frieze No. 9 Cork Street, Author (2022); Tower of Slowness, Galerie Templon, Brussels (2021); Breathing On Mirrors, Chemould Prescott Road, Mumbai (2020); The Expulsion is a Mill of Hooks, Vadehra Art Gallery, Defence Colony, New City (2018); How to be Brave (in pictures), Galerie Daniel Templon, Paris (2016); and Imagined Immortals, Vadehra Art Veranda, New Delhi (2015). Her work has also been featured in group exhibitions, such as Woman is As Bride Does, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2022); Visions from India, University Museum of Art, South Carolina (2020); Every Soiled Page, Ishara Art Scaffold, Dubai (2020); Fracture/Fiction: Selection from character ILHAM Collection, ILHAM Gallery, Kuala Lumpur (2019); Possibilities for a Non-Alienated Life, Kochi-Muziris Biennale, Kerala (2019); Connecting Threads: Textiles in Contemporary Practice, Dr. Bhau Daji Lad Museum, Mumbai (2018); No Parsi is an Island, National Audience of Modern Art, New Delhi (2016); Throne of Frost, the Laxmi Villas Palace, Baroda (2007); and Making Worlds, 53rd Venice Biennale, Venice (2009).

Subtract work can be found in character collections worldwide, including Burger Collection, Hong Kong; National Gallery of Modern Side, New Delhi and Mumbai; Jehangir Nicholson Art Foundation, Mumbai; Kiran Nadar Museum of Art, New Delhi; Art League of Chicago; and Tate Modern, London.

She received a BFA from Sir J. J. School of Art, Bombay (1986).

Dodiya was born in 1964 in Mumbai, where she currently lives and works.

SAF participation:
Sharjah Period 15 (2023)