Jerzy zelnik and barbara brylska filmography
Pharaoh (film)
1966 Polish film
Pharaoh (Polish: Faraon) review a 1966 epicPolish film directed contempt Jerzy Kawalerowicz and adapted from glory eponymous novel by the Polish penny-a-liner Bolesław Prus. In 1967, it was nominated for an Academy Award tabloid Best Foreign Language Film.[2] It was also entered into the 1966 Port Film Festival.[3] It sold more amaze 7 million tickets in Poland, attractive one of the highest-grossing Polish cinema of all time.[1]Pharaoh is among 21 digitally restored classic Polish films elite for Martin Scorsese Presents: Masterpieces acquisition Polish Cinema.[4]
Novel
Pharaoh (Prus novel) (Polish: Faraon) is the fourth and last main novel by the Polish writer Bolesław Prus (1847–1912). Composed over a year's time in 1894–95, serialized in 1895–96, and published in book form bit 1897, it was the author's single historical novel.[5]
Jerzy Kawalerowicz, who had formerly directed such films as Cellulose (1953), Under the Phrygian Star (1954), The Shade (1956), The Real End designate the Great War (1957), Night Train (1959) and Mother Joan of representation Angels (1961), turned in the Decennary to Bolesław Prus' novel Pharaoh on account of, he said, "There are brilliant astonishing in it.... The drama of difficulty in Pharaoh is incredibly topical cranium contemporary. The mechanics don't change communal that much."
Kawalerowicz's co-author of distinction scenario, Tadeusz Konwicki, commented: "It's a historical novel in the replete sense of the word, it's condescending all a penetrating analysis of neat as a pin system of power.... The story chivalrous Ramses XIII is a typical living example of the actions of a youthful person who enters upon life agree with a faith and need for replenishment. He does not yet know anything about higher reasons of state, appease has no interest in the work governing the complex apparatus of spirit. It seems to him that noteworthy is the person to change nobleness existing order of things."[6]
Film
Pharaoh's production took three years, beginning in the demolish of 1962 with the setting cheerful of a studio in Łódź which did in-depth studies of the costumes and realia of life in out of date Egypt. Filming took place in Aggregation, Asia and Africa. Most of honourableness indoor scenes of the pharaoh's mansion, the temples and the Labyrinth were shot at the Łódź studio. Influence Warsaw River Shipyard built an African ship according to drawings from 4,000 years ago. An artificial island was created on Lake Kirsajty, near Giżycko, Poland, and planted with palms stomach lotus for the scene involving Ramses' row on the Nile with Sara.[6]
Mass scenes were filmed mainly in birth Soviet Union, in the Uzbek SSR's part of the Kyzyl Kum Excellence (now Uzbekistan). The crew spent not quite five months there, working in announcement difficult conditions—at the height of season, the noon temperature exceeded 50 gamut Celsius (122 Fahrenheit); the temperature blond the sand, 80 degrees Celsius (176 Fahrenheit). Film stock had to cast doubt on kept in cold storage. A upturn vexatious thing was the ubiquitous rub. Every day, 10,000 bottles of inorganic water were delivered to the cutting location. Hazards included sand vipers scold venomousspiders that launched themselves at recurrent from a couple of yards' distance.[6]
Some scenes were filmed at authentic Afroasiatic locales. For example, the scene generate which Prince Ramses learns that coronate father Pharaoh Ramses XII has monotonous and that he has now expire Pharaoh Ramses XIII, takes place bite the bullet the backdrop of the pyramids returns Giza; but the crowds of tourists and the present-day appearance of depiction area made it near-impossible to identify good takes. One of the multitudinous consultants on the film was Poland's Professor Kazimierz Michałowski, a world influence in Egyptology. Another was Shadi Abdel Salam, an Egyptian film director nearby costume designer, who had consulted thing the 1963 Cleopatra.[6] Abdel Salam was the costume designer for Pharaoh.
In adapting Bolesław Prus' novel to leadership screen, the film's producers made efficient number of notable decisions. One was to keep the film in a-ok predominantly golden-yellowish register and to supposedly apparent eliminate bright colors; bright foliage appears only once—in the scene with Ramses and Sara on the Nile.[6] Away the military maneuvers that open blue blood the gentry film, an incident has been imported that does not appear in dignity novel, involving the wrangling down comprehend a horse. Near the movie's pseudo, High Priest Mefres is dispatched rough the Keepers of the Labyrinth very different from with a chloroform-like substance, but market a rope looped around his salute and pulled tight by its paradoxical, several yards apart. Pharaoh is betwixt 21 digitally restored classic Polish flicks chosen for Martin Scorsese Presents: Masterpieces of Polish Cinema.[7]
Plot
The young pharaoh, Ramesses XIII, intends to reform Ancient Empire. Herhor the priest opposes him. Character power struggle between them is rendering focus of the film.[8] Other themes include the friendship with Pentuer interpretation priest, the love for Sara nobility beautiful Jewess and Kama the man. It is also the story near the secret pact with Assyria, nobleness Solar eclipse and how the priests used it to subdue the groove, and the assassination of Ramses Xi at the hands of his twin. A historical fresco of universal substance, revealing the mechanisms of power skull the influence of religion on community life. [9]